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Bartók forever
Warum betrübst du dich (Aria) BWV 516
Bartók forever
1:16 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 20 16 5 6 100%
Bass 14 0 2 5 100%
Stimme Treble 13 0 4 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 20 16 5 6 100%
Bass 14 0 2 5 100%
Stimme Treble 13 0 4 6 100%
 
Johann Georg Albrechtsberger (1736-1809): Kurze Regeln des reinsten Satzes
Bartók forever
5:27 Est. Play
Time
159 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sopran
(C-Schlüssel)		 15 0 5 5 97%
Tenor
(C-Schlüssel)		 17 0 5 5 97%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sopran
(C-Schlüssel)		 15 0 5 5 97%
Tenor
(C-Schlüssel)		 17 0 5 5 97%
Alt
(C-Schlüssel)		 14 0 3 5 97%
Bass Bass 14 3 4 5 76%
Klavier Treble 10 8 3 1 5%
Bass 5 2 0 1 4%
 
Meine Seel erhebt den Herrn
Bartók forever
0:24 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 14 0 4 6 100%
Bass 12 0 1 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 14 0 4 6 100%
Bass 12 0 1 6 100%
 
Chromatic Invention (1)
Bartók forever
0:56 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 0 11 4 100%
Bass 31 0 15 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 0 11 4 100%
Bass 31 0 15 4 100%
 
What Then Is Love But Mourning
Bartók forever
0:39 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Countertenor Treble 7 0 1 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Countertenor Treble 7 0 1 4 100%
 
O ewger Gott wir bitten dich (2)
Bartók forever
0:50 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 12 0 1 5 100%
Bass 22 0 7 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 12 0 1 5 100%
Bass 22 0 7 4 100%
S
A		 Treble 12 0 1 5 100%
T
B		 Bass 22 0 7 4 100%
 
O ewger Gott wir bitten dich
Bartók forever
0:50 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 11 0 1 3 100%
Bass 18 0 5 2 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 11 0 1 3 100%
Bass 18 0 5 2 100%
S
A		 Treble 11 0 1 3 100%
T
B		 Bass 18 0 5 2 100%
 
Preambulum 11. et 12. Toni
Bartók forever
0:51 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 16 1 3 7 100%
Bass 14 0 2 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 16 1 3 7 100%
Bass 14 0 2 6 100%
 
Pavane. The Earle of Salisbury
Bartók forever
1:45 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 14 3 3 8 97%
Treble 14 2 3 17 97%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 14 3 3 8 97%
Treble 14 2 3 17 97%
Bass 18 7 2 6 89%
Bass 18 7 2 7 89%
 
Praeludium
Bartók forever
0:53 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 14 9 4 6 100%
Bass 19 8 5 7 100%
Execution 19 19 2 6 67%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 14 9 4 6 100%
Bass 19 8 5 7 100%
Execution 19 19 2 6 67%
 
Wer nur den lieben Gott lässt walten (Choral) BWV 691
Bartók forever
1:00 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 14 1 2 6 100%
Bass 15 0 3 5 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 14 1 2 6 100%
Bass 15 0 3 5 97%
 
Der Gutzgauch auf dem Zaune saß
Bartók forever
0:30 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sopran Treble 2 0 0 3 80%
Treble 2 0 0 3 73%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sopran Treble 2 0 0 3 80%
Treble 2 0 0 3 73%
Treble 6 0 0 4 100%
Alt Treble 7 0 0 5 100%
Bass Bass 6 0 0 3 100%
Tenor Treble 6 0 0 6 100%
 
FUGA SSWV 129
Bartók forever
10:47 Est. Play
Time
153 Measures
1,247Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 23 0 8 9 87%
Bass 23 0 5 9 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 23 0 8 9 87%
Bass 23 0 5 9 89%
 
D. Scarlatti - Sonatas C Major K. 356 and K. 357
Bartók forever
28:04 Est. Play
Time
315 Measures
2,133Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 39 28 15 8 98%
Bass 45 69 15 7 98%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 39 28 15 8 98%
Bass 45 69 15 7 98%
1 Treble 35 13 13 6 47%
Bass 42 37 13 6 52%
1+2 Treble 1 0 0 4 8%
 
Sarabande from HWV 437
Bartók forever
1:21 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 15 15 3 3 100%
Bass 12 1 0 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 15 15 3 3 100%
Bass 12 1 0 3 100%
 
Choral hypocrite
Bartók forever
0:53 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violine Treble 12 13 0 4 100%
Klavier Treble 23 25 5 4 94%
Bass 10 9 1 3 71%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violine Treble 12 13 0 4 100%
Klavier Treble 23 25 5 4 94%
Bass 10 9 1 3 71%
 
Ballet
Bartók forever
1:41 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 20 14 7 7 100%
Bass 19 1 5 5 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 20 14 7 7 100%
Bass 19 1 5 5 96%
 
Wandrers Nachtlied II D 768 (1822)
Bartók forever
1:52 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 7 5 0 5 63%
Bass 20 18 5 5 100%
Voice Treble 9 0 1 6 79%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 7 5 0 5 63%
Bass 20 18 5 5 100%
Voice Treble 9 0 1 6 79%
 
Repetition (1)
Bartók forever
0:28 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 6 0 1 3 100%
Bass 6 0 1 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 6 0 1 3 100%
Bass 6 0 1 3 100%
 
Befiehl du deine Wege BWV 272
Bartók forever
0:53 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alt Treble 12 0 4 5 100%
Bass Bass 16 0 5 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alt Treble 12 0 4 5 100%
Bass Bass 16 0 5 5 100%
Sopran Treble 10 0 2 5 100%
Tenor Treble 10 0 2 6 100%